Three Albums you should hear before you kick it

1. Here Come the Warm Jets - Brian Eno
1974 Island Records

Here Come the Warm Jets is the debut solo album by Brian Eno. Produced by Eno, it was released on Island Records in 1974. The musical style of Here Come the Warm Jets is a hybrid of glam rock and art rock, similar to Eno's previous album work with Roxy Music but with songs that are more quirky and experimental. The album features various guest musicians, including Robert Fripp of King Crimson and members of Roxy Music, Hawkwind, Matching Mole, and The Pink Fairies. In developing the album's words and music, Eno used unusual methods such as dancing for his band members and having them play accordingly, and singing nonsense words to himself that would form the basis of subsequent lyrics

 Eno watches you sleep!!

 

2. Are We Not Men? We Are Devo! 1978 Warner

Q: Are We Not Men? A: We Are Devo! is the debut album by the American new wave music band Devo. Produced by Brian Eno, it was recorded primarily in Cologne, Germany and released in the U.S. by Warner Bros. Records company in 1978.
The album received somewhat mixed reviews from critics and peaked at number 12 on the UK album charts and number 78 on the U.S. Billboard charts. Recent reviews of the album have been more uniformly positive, with the album charting on several retrospective "best of" lists from publications including Rolling Stone, Pitchfork Media and Spin.
On May 6, 2009 Devo performed the album live in its entirety for the first time as part of the Don't Look Back concert series curated by All Tomorrow's Parties. On September 16, 2009, Warner Bros. and Devo announced a re-release of Q: Are We Not Men? and Freedom of Choice, with a tour performing both albums.


^{3.Little Feet Sailin Shoes 1972 Warner}

Sailin' Shoes was the second studio album by the American rock band Little Feat, released in 1972. It is notable for several reasons.
First, it introduced the work of Neon Park to the group, with his design of a sailing shoe of a cake swinging on a tree swing that adorned the front cover, which seems to be an allusion to The Swing by painter Jean-Honoré Fragonard. Second, it was a more refined album than predecessor, signaling a shift from that album into the next. Third, it marked the last album original bassist Roy Estrada appeared on.
Highlighted by a reworked group version of "Willin'," the track that had led Frank Zappa to sack guitarist and vocalist Lowell George from The Mothers of Invention, it also featured such enduring tracks as "A Apolitical Blues," "Easy to Slip" and the title track, all by guitarist and lead vocalist Lowell George, the second co-written with Martin Kibbee (a.k.a. Fred Martin), a former bandmate (The Factory), and the first appearance of the "George/Martin" credit on a Little Feat record.
It was the last full Little Feat record to be produced by an outsider until 1977's Time Loves a Hero, the three albums in the interim produced nearly in their entireties by Lowell George.